Lost Lake

6 min.

Lost Lake, for piano trio, was inspired by two beautifully unrelated sources: a verse of 17th-century Japanese poetry by Matsuo Basho, and a couple of melodic phrases from a work by 12th-century abbess and composer Hildegard of Bingen.

These two ideas came together in the barren month of November, a time when everything seems pared down to its most essential parts. Somewhere in this bleak landscape though, I believe is something pure– a vision, perhaps.

“The moon glows the same:
It is the drifting cloud forms
Make it seem to change.”


Lost Lake is to receive its premiere at the Sonic Boom Festival, presented by Vancouver Pro Musica, at Pyatt Hall, Vancouver, BC, Canada, in March 2025.
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Sheet music is available through the Canadian Music Centre.

Merely a Mockery of Spring

cello & piano

3 min. 20 sec.

This piece was conceived as a miniature chamber work for cello and piano, and the title, “Merely a Mockery of Spring”, was inspired by a line of poetry in a cycle of poems about winter by American poet, Robert Pack. The work was performed and recorded with support of the Canadian Music Centre’s BC Region in summer 2023.
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Sheet music is available through the Canadian Music Centre.

September Songs (string quartet arrangement)

two violins, viola & cello

12 min. 45 sec.

September Songs was originally written for erhu quartet (two erhu, viola, and cello)– this is an arrangement of the same piece, for string quartet (two violins, viola, and cello).

The piece is comprised of three movements: “The Hummingbird”, “To the Rising Moon”, and “Tunnels of Light”. The first movement, “The Hummingbird”, captures the light, delicate movements of these tiny feathered creatures. Featuring trills, tremolo, quick rhythmic patterns, and short melodic phrases, the energy of this movement leads into something more calm and a bit mysterious in the second movement.

“To the Rising Moon” opens with the first several notes of a Gregorian plainchant melody found in the “Graduale Romanum” (c. 8th century). This melody develops gently, making use of canonic phrases, and the idea of mirror images—as the moon rises to its peak in the sky, before sinking again behind the trees. This movement was also inspired by a short work by the 13th century poet and mystic, Rumi:

“There is a way
From your heart to mine
And my heart knows it
Because it is clean and pure like water

When the water is still like a mirror
It can behold the Moon.”

This gentle interlude melts back into the energy of the third movement, “Tunnels of Light”. Inspired by the ongoing movement of clouds in the sky on an overcast day, and the fleeting moments where the sunshine suddenly bursts through in brilliant, colourful rays– there are several short melodic and rhythmic motifs at work in this movement, combined and recombined playfully.

September Songs was commissioned by Vancouver-based erhu player, Lan Tung, and its creation was funded with the generous support of the Canada Council for the Arts.


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Sheet music is available through the Canadian Music Centre.

Alchemy

horn, cello & piano

~20:15

Alchemy was conceived as a trio for horn, cello, and piano, in three movements. The three-part structure was inspired by the three stages of the medieval alchemical process– attempting to turn base metals into gold, or the ‘elixir of life’: 1: corruption/dissolution, 2: purification (linked to the moon and femininity), and 3: enlightenment/sublimation (linked to the sun and masculinity). The horn introduces a short theme in the first movement, which is then transformed through seven variations– seven being the number of metals involved in the alchemical process. The second movement is slow, sensuous, and lyrical, drawing inspiration from jazz tonalities, as well as from the delicate raindrop-like sound and polyrhythmic patterns of the kora (west African harp). The third movement brings the piece to a bright, rhythmically intense culmination.

-Commission funded in part by the Meir Rimon Commissioning Assistance Program of the International Horn Society

-2nd movement premiered by Oliver de Clercq- horn, Zoltan Rozsnyai- cello, and Chris Morano- piano, at the Sonic Boom Festival, Western Front, Vancouver, 25 March 2012

-full piece (all 3 mvts) premiered by Oliver de Clercq- horn, Ariel Barnes- cello, and Rachel Iwaasa- piano, at St. Mark’s Anglican Church, Vancouver, 20 May, 2012

Sheet music is available through the International Horn Society:

http://www.hornsociety.org/marketplace/online-library#!/~/product/id=18634910